New films review azaan,m.f.k and collections

Ravi budhwar

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first review azaan

rating:2 out of 5

Bioterrorism is amongst the most burning and disconcerting issues today. The perils of biological warfare -- also known as germ warfare -- just cannot be disregarded and what makes it even more hazardous is the fact that a lot of countries remain vulnerable to it.

AAZAAN undertakes a grave issue, a theme that has never been depicted on the Hindi screen earlier. Besides, director Prashant Chadha attempts to narrate the story in a style that's reminiscent of the BOURNE series. An espionage thriller that travels various continents. But AAZAAN, despite the right intent, doesn't come across as a compelling, assertive experience. What should've been fear-provoking and also emotionally enveloping, since Aazaan Khan shares poignant moments with the people he loves [brother Aman and sweetheart Afreen], doesn't register the desired impact.

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Let's get to the root. Chadha had solid material to play with [story: Shubhra Swarup, Heeraz Marfatia, Prashant Chadha], which, perhaps, can trigger off debates and discussions, but a patchy screenplay [Shubhra Swarup] acts as a dampener. Bioterrorism is a new-fangled topic for Indian moviegoers and therefore, the team should've undertaken an additional effort to coherently explain the issue to the spectator. The narrative is complicated and difficult to decipher. Also, since the story moves from one location to another, it leads to puzzlement after a point. Furthermore, when you play on a realistic fear, you cannot afford to have too many cinematic liberties in the narrative.


On the brighter side, AAZAAN is embellished with a harmonious musical score [Salim-Sulaiman]. The background score, also composed by the maestros, is electrifying. In addition, the stunts, chases and combat sequences are spectacular. Also, since the film has been filmed across continents, it boasts of some stunning and dazzling visuals [DoP: Axel Fischere]. To cut a long story short, AAZAAN comes across as an assemblage of several well executed sequences, but the sheen and shimmer cannot surrogate for a spellbinding screenplay.

Aazaan [Sachiin Joshi], half Afghan, half Indian gets drawn into the murky world of espionage, only to find his younger brother, Aman [Neet Mohan], a suspected terrorist. As Aazaan infiltrates deeper, he has no clue of the price he might have to pay for it. Aazaan stands in the way of Doctor's [Sajid Hassan] plans to destroy India. All he has on his side is the love of a brother and the love for his country.

A thriller works only if it's got that nail-biting edge-of-the-seat quality. That's where AAZAAN stumbles. What you carry home are a few moments, which aren't enough. The piece de resistence is undoubtedly that car chase and the subsequent crash in the pre-climax. The conclusion, though well filmed, appears like a rushed job and also seems implausible.

Sachiin Joshi has screen presence, excels in action sequences, but would help him a lot if he works on his dialogue delivery. Ravi Kissen is competent. Dalip Tahil is wasted and so is well-known Pakistani actor Sajid Hassan. Alyy Khan manages to keep your interest alive. Vijayendra Ghatge is serviceable. Aarya Babbar suffers due to a half-baked character. Candice Boucher looks gorgeous, but gets no scope to act. Samy Gharbi and Neet Mohan fit their parts well. Sarita Choudhury gets it right. Sachin Khedekar appears in a cameo.

On the whole, AAZAAN boasts of a novel theme [Bioterrorism] and superb action scenes/stunts/chases is its biggest USP. But the film could've done with a taut script. Nonetheless, AAZAAN should find some flavor with lovers of action movies.
 
Review:Mujhse Fraaandship Karoge

Rating;3 out of 5

Never has the youth movie genre been so dynamic and so full of zip in Bollywood. The year 2011 has witnessed a number of youth movies making an impact at the domestic box-office. What sets MUJHSE FRAAANDSHIP KAROGE apart from similar genre films is the fact that not only is the writing edgy and intelligent, but it also introduces us to young actors who can hold our interest for those 1.40 hours.

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Come to think of it, most romantic films are so conventional and banal. Even the interesting ones, generally, follow the tried and tested path, but we take to them if the journey to the destination is exciting. Otherwise, charm and humor are difficult things to capture on celluloid, which explains why most romantic films turn into an ordeal of sorts. That's precisely why a film like MUJHSE FRAAANDSHIP KAROGE appeals. First and foremost, it's set against the backdrop of a social networking site [Facebook], which makes it very contemporary, a film of today.


If Rahul [Nishant Dahiya], the rockstar, has got the voice and the looks, Vishal [Saqib Saleem], the writer, has the brains. If Malvika [Tara D'Souza], the fashion design student, can get heads turning with just her looks, Preity [Saba Azad], the photographer, can say a million things with her pretty pictures.

'Liking' someone on Facebook is a lot easier. And when you can't make it on your own, the best thing to do is to fake it. So, Vishal becomes Rahul and Preity becomes Malvika by taking their identities online and they start fraaandshipping each other. But, the question remains, how long can you fake true love? Little do they know that the person they totally hate in real life is the same person they've fallen in love with online.

Director Nupur Asthana, who has several cult shows to her credit, helms this youth film with dexterity. What keeps the momentum going, despite the fact that it tends to get predictable at times, is the dialogue and the chemistry of its central characters. In fact, one of the most refreshing things about MUJHSE FRAAANDSHIP KAROGE is the lingo that the youngsters speak. The dialogue are sharp and smart, something that you expect from a youth movie.

Unlike most love stories that get melodramatic and sentimental after a point, this one does the balancing act well. In fact, though there are moments when the lovers have the usual tiffs and misunderstanding, Nupur ensures that she doesn't go overboard, which is the best part of the enterprise. The only problem is that the film dips slightly in the second hour, when things tend to get a bit monotonous. The climax, though foreseeable, is beautifully handled nonetheless.

Raghu Dixit's music is appropriate to the film. It is youthful, energetic, eclectic and infectious. Besides, the songs are seamlessly integrated in the narrative.

No one in this movie is a big star, but everyone is a proficient actor. The show stopper is Saqib Saleem, who, in my opinion, is the find of the year [so far]. Brimming with energy and a complete delight in front of the camera, Saqib is instrumental in making this journey enjoyable. Nishant Dahiya has the looks and the persona and also does what's required from him. But this is not a role that will make people sit and notice his talent. His good looks will win him fans, for sure. Saba Azad is truly wonderful. A complete natural, she takes to the character like a fish takes to water. Tara D'Souza looks stunning and handles her part well. Prabal is first-rate.

On the whole, MUJHSE FRAAANDSHIP KAROGE is engaging, funny, brimming with style and wit. It's for the youth and the young at heart. Go for it!
 
Well the new films are totally fails and m.f.k collected 45lakh and my friend pinto collected 25lakh on the first day
 
M.f.k tops the chart and collected 2.25cr. And that is average business and the film shows a growth in the weekend .my friend pinto collected 1cr.
 
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